With a mix of professionals and newcomers, the film makes heavy use of imagery inspired by experimental cinema and psychedelic drug experiences. While leaving, we might remain calmer, but still amazed by the mixture of exuberant invention and puerility.

The final scene is shot from the perspective of a baby being born to Oscar's mother. Thomas Sotinel of Le Monde started his review by recalling the irritation the film caused upon its world premiere in Cannes, and compared the cut he had seen there to the final version: Leander K.

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